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The Audio Palette
Richard
S. Burwen developed the concept for the Audio Palette. Burwen found
that certain tone control adjustments were necessary to obtain the most
natural, lifelike sound from recordings.
Cello has identified
the major cause of sonic problems in recordings as the tonal balance
that has been adjusted by the recording and mastering engineers in the
studio. Each engineer uses a monitoring system that is unique. Because
the tonal balance of each system is different, each recording is different.
Engineers primarily use equalization to optimize tonal balance for the
best sound on their system.
The Audio Palette
advances musical realism more than any other single component. Tonal
balance can be corrected from the most delicate and subtle adjustments
for the best recordings, to the most extreme and dramatic adjustments
for vintage material, in order to restore the vitality and life to recordings
of music without sonic deterioration.
The Audio Palette
is used by record companies, mastering laboratories, and also by discriminating
home listeners.
Product Specifications:
The Standard Version of the Audio Palette has one (1) Fischer 3-pin
balanced input. The Multiple Input Version (M.I.V.) Audio Palette total
of four (4) inputs, one (1) Fischer 3-pin balanced and three (3) single
ended.
One (1) set of single
ended and one (1) set of Fischer 3-pin balanced main outputs are provided.
Two (2) sets of single ended record outputs are provided.
Frequency Adjustment Controls:
25 kHz control: +/- 24 dB in 1.00 dB increments
5 kHz control: +/- 12 dB in 0.50 dB increments
2 kHz control: +/- 6 dB in 0.25 dB increments
500 Hz control: +/- 6 dB in 0.25 dB increments
120 Hz control: +/- 14.5 dB in 0.50 dB increments
15 Hz control: +/- 29 dB in 1.00 dB increments
Dimensions:
19"w / 7.4"h / 14.1"d (Audio Palette)
19"w / 3.9"h / 8.5"d (Master Supply)
Shipping Weight:
41 lbs. (Audio Palette)
35 lbs. (Master Supply)
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